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Some might accuse me of being insensitive by referring to Jackson by his derogatory nickname "Jacko," and they might be right, but not because of any particular animus tow

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Even if I had been so thrilled by Thriller and dreamed so ardently of Billie Jean that I could look past his freakishness, I still wouldn't be a MJ fan any longer -- in large part because I am working on the front line of one of the networks responsible for over-sensationalizing his death, and I am more privy than most to the scope of the ludicrousness surrounding it.
Here's a fun fact -- for days after the memorial, we had a link up on our Web site to the Los Angeles Mayor's Office Web site where you could make a donation to help the city of Los Angeles pay for Jackson's memorial service. They received somewhere in the neighborhood of $19K in donations from Jacko fans via the Web site. Reportedly, it cost $47K just to provide lunch for those participating in the memorial service the day of the event. $47K for lunch alone.
When asked by co-workers if I donated money to help pay for the memorial, I told them I refused to on the grounds that the city had chosen to go with a 24 karat gold coffin for Jacko. If they had chosen a more reasonable 18 karat coffin, I said I would have been more amenable to making a donation.

To see how worked up so many people are about Jacko's death makes me think I am lacking something essential in my makeup. There is a capacity I apparently do not have, and perhaps if I did have this capacity, I wouldn't think our society is as flat-out demented as it is leading me to believe.
So I've sat and thought about Jackson and the phenomena that inspire all this grief. This thought process led me to scroll through Jackson's discography, back to the days before he was King of Pop when he was only 1 of 5, and I became conscious of the fact that a calendar year was attached to each album. Taken as a whole, his discography spanned the history of most of his fans' lives. The fans that prostrate themselves before his image at curbside memorials are those who grew up with his music and see their lives in relation to it. Each album in his discography is a dot plotted on their own life's time line. They are touchstones as relevant to them personally as they are collectively to his fan base. This is why album sales spike upon a popular musician's death -- not only is there an urge to relive the artist (now dead) through his music (which survives) but there is also the urge of the fan to embrace one's own historicity occasioned by the artist's death.
In this light, one can view the event as an opportunity for an individual to reflect upon one's life in a society that offers fewer and fewer of such moments of introspection. For a short while, the inexorable march forward of the present pauses, maybe even opening a large enough window of time to do something like write a poem. And that's never a bad thing, regardless how trite the poem might be.
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